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Today’s Writing Tip

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If you write anything of a technical nature, such as science fiction or a techno-thriller, make sure you have your facts straight. If you’re not an expert in a given field, find someone who is to give it a sanity check. Most people find it fun to help out an author, especially if you promise to acknowledge their help in the front of the book. That may be the only time a person gets to see their name in print!

Often you’ll get more ideas that are even better than the original. Authenticity builds your credibility as an author. Even if the person tell you that what you want to do or say is impossible, it’s helpful. In some cases you can work around it in an even better way than your original plan.

If you don’t someone personally who’s an expert in the field you’re addressing, you may be able to find someone online who will chat with you. I needed to know some of the particulars of how dash cams work. I went to a site that sold them and had a very useful chat with one of their technicians who gave me useful, accurate information. I suspect he had some fun, too.

Today’s Writing Tip

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Acronyms are a part of modern life. GPS instead of Global Positioning System; TV instead of television; CSI instead of Crime Scene Investigation, etc. streamline speech. Since the best writing is tight writing, feel free to use them in your story. Remember to define them at first usage, a standard practice in technical writing.

This can be done in a variety of ways. When I was a NASA technical writer the standard format was to write “Global Positioning System (GPS)” but there are others ways that work. Some authors use the acronym initially and include its definition in a footnote. Others would say “Global Positioning System, or GPS.”

An occasional reminder doesn’t hurt, either, especially if you have several in your story. If that’s the case, you might even want to include a list in the beginning or end of the book.

Today’s Writing Tip

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Another way to avoid too many he’s and she’s, at least when you’re in their point of view, is to not say he saw, he heard, he thought, etc. Instead of “He heard the crow of a rooster in the distance, reminding him of his childhood” say “The crow of a rooster in the distance reminded him of his childhood.”

The viewpoint character is the one experiencing the story. Specifying how he perceived something is somewhat redundant. It also nudges the reader out of the story rather than assimilating the character and seeing the story through his or her eyes.

This is another thing to watch for in your final edit. With enough practice, you may be able to shift to this technique in your early drafts, but don’t worry about anything that might interrupt or inhibit your creative flow.

Today’s Writing Tip

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There are ways to avoid starting so many sentences with he or she followed by a verb. For example, instead of saying, “He looked out the window to the traffic at a standstill below”, you can simply say, “Beyond the window, the traffic below was at a standstill.”

Too much “he this” or “she that” gets choppy, which distracts the reader. However, don’t worry about this when you’re writing your first draft because it will interrupt your creative flow. This is something to look for when you’re doing your final edits. If you have too many “he’s” or “she’s” in a given paragraph, look for ways to say it differently.

 

Today’s Writing Tip

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Expanding on yesterday’s advice to read the type of story you aspire to write, keep a writer’s notebook where you jot down particularly memorable phrases and descriptions. While you may not use them, study their structure and figure out why they were so effective.

A skillful combination of carefully chosen modifiers can convey a vivid image. Here’s a paragraph from Michael Crichton’s State of Fear as an example:

“It was brighter, the sun now higher in the sky, trying to break through low clouds. Morton was scrambling up the slope, still talking on the phone. He was shouting, but his words were lost in the wind as Evans followed him.”

How much did he tell you using only 42 words?

Today’s Writing Tip

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Read the type of novel you aspire to write. If you want to write a best seller, read best sellers. Your writing style is likely to assimilate high quality writing if that is what your brain is exposed to and thus programmed to think that way.

Reading poorly written stories can be instructive as well, since it’s easier to notice flaws in other author’s work as opposed to your own. However, if you really want to write well, you need to immerse yourself in high quality literature.

As an author you need to learn to not just read for the enjoyment but to study and learn from the masters. Take any particular scene or character who is well-defined and study what they did. Figure out why it works and then incorporation the technique into your own writing. Being an outstanding writer is not all about luck or talent. It takes study as well. Having a great idea is only part of the battle. You need to be able to convey it skillfully to your readers. Again, we’re back to the concept of showing versus telling.

Today’s Writing Tip

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Remember the journalistic cardinal rule of who, what, when, where, and why. Including these in the first paragraph of every new scene helps keep the reader connected to what’s happening and who is doing what.

If this isn’t clear, the reader can get confused and have to back-track to figure out what is going on. Any time this happens, it breaks their engagement in the story, which is not a good thing. Most books aren’t read in a single sitting. I suspect that most readers do like I do and will stop at the end of a chapter or scene. Thus, when picking it up again it’s helpful to immediately know what’s going on.

Pick up an action novel by someone like Michael Crichton or Tom Clancy sometime and check their opening paragraphs. They are skillful at this technique which is worth emulating.

Today’s Writing Tip

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Creativity resides in your right brain. Stimulating it doesn’t have to involve writing, yet can enhance those abilities. This can come through television, movies, going to a museum or pursuing other creative endeavors such as painting, playing an instrument, etc. I find that creating book trailer videos is a fun diversion that also comes in handy later.

It’s not like your brain has a limited capacity in this area. Even if you want to direct the bulk of your creative energy toward you work, you can find ideas and inspiration in other areas. Sometimes taking a break can be refreshing, especially if things are bogging down or especially if you get stuck.

Today’s Writing Tip

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One of the best parts of collaborating with another author on a story is the brainstorming, which typically has positive results. Like they say, two heads are better than one, and another person’s take on a character or situation is often great input, even if you don’t always agree.

Even if you don’t have an actual co-author, finding someone who’s interested enough in your story to brainstorm with you is fun and helpful. It’s even better if you need some help with technical aspects where their knowledge saves you from laborious research. Most individuals are flattered when you ask them for advice. I had a fascinating website chat conversation with a help desk one time about something I needed to know for my WIP. The guy was not only helpful, but clearly enjoyed helping me figure a few things out.

Today’s Writing Tip

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Be aware of the different types of story action. These can be physical, emotional, or mental. A variety of each gives depth to the story and helps keep your readers engaged. However, excessive use of one or the other can actually get boring.

For example, too much physical action can actually get boring after a while. I’ve read a few where I was saying, sometimes even aloud, “C’mon, already!” for either chase or fight scenes. It’s good to pause from time to time and visit what the character is thinking and/or feeling during this time, even if it’s only a sentence. You don’t want to stop the action, only add a dash of variety. The same goes for long soliloquies of introspection that can eventually bring the reader to a state of catatonia. And just how long can you sustain an emotional meltdown before it becomes maudlin?

Not to use an old cliche, but variety IS the spice of life. If you want your story to come off as real, include a three-dimensional view. Just remember that sometimes less is more. A well-placed sentence reflecting on the character’s reaction can work wonders.