Today’s Writing Tip

technology-3200401_640 copy

Be aware of your most common typos. Mine are typing “you” instead of “your” or “the” instead of “that”. A simple spellchecker is very likely to miss such goofs when it’s an actual word and not misspelled, just not correct in context. These are also difficult to find when you’re proofreading or editing because that same disconnect that originated between your brain and fingers will come back to haunt you when reading it. However, an alert reader will trip over it in a heartbeat. During your final edit, be sure to take your time and read each word deliberately, looking for such things. If you’re beta reading for another author, be sure to point out such goofs because the author is less likely to catch it.

Today’s Writing Tip

paper-3242863_1280 copy

A good grammar checker should pick up various mistakes including subject-verb agreement and using the wrong homonym. The finer points of grammar can get lost in a creative frenzy, plus many talented writers were bored in English class and didn’t learn as much as they should have about proper use of the language. One mistake I hear a lot is “we was”.

Another mistake waiting to happen is when a sentence has something like a preposition phrase between the subject and verb, it’s easy to mess up. For example, “He looked over his list of grocery items, which was written on the back of his hand” (correct where “list” is what “was written”) versus “He looked over his list of grocery items, which were written on the back of his hand” (incorrect, i.e. “items” isn’t what’s written on his hand).

One homonym frequently used incorrectly, which drives me nuts every time, is using shutter (a window covering or decoration) instead of shudder (to shake or shiver with fear or cold.)  Look it up!

Today’s Writing Tip

nobody-2798850_1280 copy

Always spellcheck your work, especially after completing each draft iteration or editing pass. I don’t know about you, but my fingers have a mind of their own and don’t always type the words my brain had in mind. I’m notorious for typing “you” when I mean “your” or “the” when I mean “that” and a host of others. I’m sure you have your own set, unless you’re more thoughtful with your keyboarding skills. I’m a fast typist, with such goofs the price I pay for speed. These types of errors are extremely difficult to find in your own work because you’ll tend to see it as the expected word as opposed to what’s there, kind of like a rerun of that disconnect between your fingers and your brain that caused it in the first place. A good grammar checker should find any misused words. Test it out by deliberately using the wrong word, then seeing if it shows up.

Today’s Writing Tip

laptop-3303835_1280 copy

Epilogues work well to cover “the rest of the story”, i.e, that which relates to proper closure of the plot, yet occurs after the story officially ends. Similar to prologues, epilogues can involve minor characters, or in some cases, someone who wasn’t in the main story at all. For example, it could be someone discovering years later what the effects were of your character’s actions. Sometimes they can even include hints of other stories to come, as opposed to closure.

Today’s Writing Tip

laptop-3265726_1280 copy

Another way to cover an event that occurred before the story action starts, yet relates to the plot, is to use flashbacks. If its a somewhat long explanation, then a prologue works best. If it can be broken up into several short scenes, then flashbacks can work. Make sure you know how to introduce and then close them out, coming back to the present, by  using past perfect tense.

In other words, to transition to the past, say something like “he’d gone to the movie” (past perfect) as opposed to “he went to the movie” (simple past). After that first sentence, switch to simple past until the flashback is over, then use past perfect again to alert the reader that the story is back in the present. If flashbacks are not introduced and closed properly, it can be very confusing to the reader and cause one of those “WTF moments” you want to avoid. In other words, it will throw them out of the story as they go back to try and figure out when something happened and whether they missed something.

Careful handling of such writing protocols is what labels you a professional versus an amateur.

Today’s Writing Tip

laptop-3253347_1280 copy

If your story needs some background information essential to the plot, but it doesn’t involve the main character, you can introduce it by using a prologue. That way you can start Chapter 1 with your protagonist, which you should always do, because it immediately tells your reader who the story is about. Otherwise, they’re going to wonder what happened to the character they “met” first and whose story your book is really about.

Today’s Writing Tip

e-mail-3239670_1280 copy

Know the different types of editing, especially if you hire an editor. Otherwise, you may be disappointed or not get your money’s worth. I’m always amazed when I find a multitude of goofs in a book that has supposedly been edited. Just because a person can read, doesn’t mean s/he can edit! Furthermore, if they’re a specific type of editor, they may do a great job in that category, yet leave others flapping in the breeze, waiting for some discriminating reader of jump on them like a duck on a June bug.

Rather than reiterate what has already been said very well by another blogger regarding the different types of editors and what their duties are, check out this outstanding blog.

Today’s Writing Tip

desktop-3271745_1280 copy

Whenever you’re reading and encounter something annoying that bumps you out of the story, take a moment to consider whether you do the same thing, but have been blind to it. You can increase your skill as an author by noting when something stands out in another person’s work, whether it’s positive and negative.

Today’s Writing Tip

design-space-3031262_1280 copy

Try to maintain consistent and comfortable chapter lengths. If you find a chapter has multiple section breaks, maybe you should start a new one instead.

Most readers expect a certain rhythm regarding how long a chapter lasts. Many also prefer to stop reading at a chapter’s end; if it drags on and on, it can be frustrating.

However, on the other hand, it’s usually not a good thing for a reader to put down your book, even if it’s to go to sleep or back to work. You can remedy that by ending each chapter with a cliffhanger, so they either keep reading or can’t wait to get back to find out what happens next.

Today’s Writing Tip

blank-3164721_1280 copy

Omniscient viewpoint can confuse the reader; make sure it’s really necessary & the most effective option before using it. If you really want to get inside the head of other characters in addition to your protagonist, separate chapters and/or sections might work better. Readers will relate more strongly to your character(s) if you present their thoughts one at a time, rather than bouncing back and forth. If you really want your reader to relate to your main protagonist, you should stick to his or her viewpoint as much as possible.